On the morning of February 1, 2025 (the fourth day of the Lunar New Year), the Lac Thuy district People’s Committee hosted the opening of the Tien pagoda festival. Attending the event were alternate member of the Party Central Committee and Secretary of the Hoa Binh provincial People’s Committee Nguyen Phi Long, permanent Vice Secretary of the provincial Party Committee and Chairman of the provincial People’s Commtitee Bui Duc Hinh.
Provincial, district leaders and
delegates offer incense at 2025 Tien pagoda festival in Lac Thuy district.
Vice Secretary of the district Party Committee and Chairman of the
district People’s Committee Nguyen Van Hai beats the drum to kick off 2025 Tien
pagoda festival.
A palanquin procession at the opening ceremony.
A lion and dragon dance performance at the opening ceremony.
At the heart of the festival lies the Tien Pagoda Cave Complex, a national
relic site recognised in 2011 with 21 distinct historical, cultural, scenic and
archaeological sites, each holding unique historical and cultural significance.
In 2025, the festival continues at the provincial level, spanning from January
31- February 2 with an array of cultural, sports, and folk activities, along
with traditional art performances such as lion and dragon dances, worship of
Mother Goddesses of ThreeRealms at Trinh and Mau temples and Tien pagoda,
and folk musical instrument playing, Muong gong, folk and Chau Van singing.
A music show at the opening of Tien pagoda festival in Lac Thuy district.
Visitors enjoy bamboo pole dancing and watching lion dance performances
at the festival.
Visitors take a ride on the cable car at Tien pagoda.
Sport activities draw a large number of locals and tourists to watch and
cheer.
The annual festival aims to instill a deep sense of patriotism, national pride,
and love for the homeland among all social classes, especially the youth. This
year, the newly operational Huong Binh cable car project offers a scenic
connection between Tien, Huong and Tam Chuc pagodas, significantly reducing
travel time for locals and tourists alike.
Through various festivities, residents and visitors can deeply appreciate the
strong influence of traditional cultural values in spiritual life, fostering a
positive mindset at the outset of the new year. The festival also encourages
people of all backgrounds to enthusiastically engage in labour, production and
studies to achieve 2025 socio-economic development goals, contributing to
realising the Resolution of the 17th provincial Party Congress and the 25th
district Party Congress.
Every spring, the four Muong areas of Bi, Vang, Thang and Dong come alive with the vibrant sound of gongs and the Sac Bua (Tet greeting) singing. The Sac Bua singing, accompanied by the resonating gongs, has become an indispensable part of the Tet celebration of the Muong ethnic people.
When discussing Muong ethnic musical instruments, we can mention many types of musical instruments, such as gongs, flutes, and Co Ke, that are commonly used. Bi Doi trumpet is a unique instrument that has been preserved, conserved, and valued by Muong ethnic people in the highlands of Da Bac for many years.
The Party Committee of the provincial Department of Culture, Sports, and Tourism convened a meeting on January 15 to evaluate Party building work in 2024 and set tasks for this year.
In the morning of January 8, the People's Committee of Cao Phong district held the groundbreaking ceremony of the Conservation Area of Mo Muong Cultural Heritage associated with tourism in Hop Phong commune associated with tourism services in Hop Phong commune. There was the attendance of Mr. Bui Van Thang, the Vice Chairman of the Provincial People's Council; the representatives of departments, branches and Cao Phong district...
On January 7th, the Department of Culture, Sports and Tourism held a conference to review the work in 2024 and deploy the tasks in 2025.
Once a vibrant part of the daily life for the Muong ethnic group in Hoa Binh province, traditional Muong singing styles such as "thuong rang bo meng” and "hat dup giao duyen” had faded over time. Today, local authorities and communities are working to restore and celebrate this cultural art form, recognising its value in preserving the group’s heritage.
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