(HBO) – For Muong ethnic people in the northern province of Hoa Binh, especially those from Lac Son district, gong is a national instrument with the most sacred sound in their cultural life.


A Muong gong performance at a celebration of the 130th founding anniversary of Lac Son district (in 2016). File photo

To preserve and develop the Muong gong culture and realise a project on the preservation and development of cultures of Vietnamese ethnic minority groups through 2020 approved by the Prime Minister, Lac Son district has carried out a number of measures, including promoting the role of the community in preserving intangible culture, particularly gong culture. Along with the development of mass culture and art movements at grassroots level, the district has encouraged people to play gongs at sport and culture programmes and big festivals of communes.

Notably, in August 2017, the district opened a training course on Muong gong art for nearly 150 artisans and cultural officials of 29 communes and towns. According to Bui Thi Thuy, head of the district’s culture-sport office, Lac Son is one of the first localities in the province to organise such a class. A set of gongs consists of 12 units representing 12 months in a year. There are basic regulations. For example, a band needs one or two people who can sing the opening song before entering a family to wish them a happy Tet (Lunar New Year). Gong is believed to bring luck to families and happiness to couples in their wedding days. It also means seeing off the deceased and calling on people to go to the field and share joy over new crops as well as driving away bad luck in life and bringing in warmth and blissfulness. Therefore, gong is considered the most sacred musical instrument passed from generations to generations, becoming an indispensable cultural feature.

Artisan Quach Thanh Vin in Chay hamlet of Lien Vu commune, who is considered the soul of the training classes, said thanks to the classes, young people and local residents know how to play traditional gong (xac bua) melodies. There are also some taboos on gong such as not putting the instrument on the floor. Regardless of the space such as on stilt houses or in the yard and public places, gong must be played in a methodological manner.

When performing on the stage, gong players have to use not only their eyes but also their ears to feel the sound and play melodies flexibly. Training on gong uses both easy and difficult songs which include popular melodies in Muong Vang and those hailing from other regions due to cultural exchange.

Statistics show that there are more than 3,500 gongs across Lac Son district at present. The musical instrument is often used in local festivals and cultural activities.

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